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  • About Asher
    • About Asher
    • Artist’s statement
    • Curriculum Vitae
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  • Texts
    • Reviews
      • EXHIBITION Reviews 1960-71
      • EXHIBITION Reviews 1979-84
      • EXHIBITION Reviews 1985-90
    • Interviews
      • Interview with Laurie Thomas (1969)
      • Interview – Pataphysics Magazine (1989)
      • Interview: Heavens – NETS Victoria (2007)
      • Interview – Driven Magazine (2007)
    • Texts 1967-99
      • Patrick McCaughey – Sculptron 1 (1967)
      • James Gleeson – Maha Yuga (1969)
      • Brett Whiteley – Foreword to Recent Paintings (1988)
    • Texts 2000-09
      • Heather Ellyard – Artlink Magazine (2000)
      • Transcript – ABC Art Show (2000)
      • TIME Magazine (2005)
      • HEAVENS Press Release (2006)
      • Helen Light – HEAVENS Catalogue (2006)
      • Heather Ellyard – HEAVENS Catalogue (2006)
      • Bryan Gaensler – HEAVENS Catalogue (2006)
      • Ivan Durrant – Essentials Magazine (2007)
      • Asher Bilu – Senses of Cinema (2009)
    • Texts 2010-2019
      • Emma Westwood – ESSENTIALS Magazine (2010)
      • Stephen Jones – Synthetics (2011)
      • Adrian McNeill – SPACETIME Catalogue (2012)
      • Jacqui Durrant – SPACETIME (2012)
      • David Hansen – Sotheby’s catalogue (2012)
      • Sonia Hartford – Sydney Morning Herald (2013)
      • Ashleigh Wilson – from Brett Whiteley: Art, Life and the Other Thing (2016)
      • Jon Cattapan – NGV Magazine (July/August 2017)
      • Ashley Crawford – Vault Magazine (July 2017)
      • Ivan Durrant – Essentials Magazine (Winter 2017)
      • Ashley Crawford – Artist Profile Issue 40 (2017)
    • Texts 2020 – present
      • Jon Cattapan, Catalogue Essay, Exhibition Circles, (2022)
      • Kate Nodrum – Exhibition statement (2024)
      • Sasha Grishin – GAB 74 (Grishin’s Art Blog) 2024
  • Paintings
    • Paintings 1958-69
    • Paintings 1970-79
    • Paintings 1980-89
    • Paintings 1990-99
    • Infinity Series (1998-9)
    • Paintings 2000-07
    • Paintings 2008-09
    • Paintings 2010-12
    • Paintings 2013
    • Paintings 2014-15
    • Paintings 2016
    • Paintings 2017
    • Paintings 2018
    • Paintings 2019–2020
    • Paintings 2021-2022
  • Sculpture
    • Timepiece (1964)
    • Sculptron (1967)
    • Abacus (1982)
    • Auger (1996)
    • Follow Me (1996)
    • See in Saw (1997)
    • Infinity Towers (2002)
    • Land and Sea (2017)
    • Worm Work (2019)
  • Installations
    • Amaze (1982/2002)
    • Art Complex (1991)
    • Escape (1992)
    • Sanctum (1993)
    • Infinity (1995)
    • World Without End (1997)
    • Explanandum (2002)
    • Mysterium (2003)
    • Heavens (2006-7)
    • In-Visible (2007 – 2017)
    • M-Theory (2010 – 2012)
    • Plexus (2011)
    • Cosmotif (2012)
    • resurrection (2016-17)
    • Infinicopia (2017-18)
  • Exhibitions
    • 1979 INFINITIES
    • 1983 ARCS & SCROLLS
    • 1990 RECENT PAINTINGS
    • 1996 RECENT PAINTINGS
    • 1988 RECENT PAINTINGS
    • 2000 LIFE FORMS
    • 2004-5 WORKS FROM THE ASTRONOMER SERIES
    • 2012 M-THEORY
    • 2012 SPACETIME
    • 2013 COSMOTIFS
    • 2018 Exhibition at BOAA – Biennale of Australian Art
    • 2022 CIRCLES
    • 2023 COSMIC STRINGS
    • 2024 BLUE BILU
    • 2024 ASHER BILU EARLY WORKS 1958-79
  • Commissions
    • Cabala Paintings (1982)
    • Wedding (1994)
    • Colour Fall (1990-2000)
    • Circular Keys (2010)
  • Works on Paper
    • Works on paper 1956-81
    • Works on Paper 1990
    • Works on Paper 2004-5
    • Works on Paper 2008
    • Works on paper 2022 – 2023
Asher Bilu
Visual ecstasies
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L-R: The Dream, Nothing is Lost, The Column, Soundscape, Spillout

June 12, 2016  •  1200 × 817  •  Exhibition – INFINITIES (1979)
L-R: The Dream, Nothing is Lost, The Column, Soundscape, Spillout

L-R: The Dream, Nothing is Lost, The Column, Soundscape, Spillout

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